Renaissance Workshop Company
The foremost manufacturer of early musical instruments worldwide

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Products by category
(click on the category to open it)
 
  • Aerophones (winds)

    • With keyboard

      • Organ

      • Portative Organ

    • Woodwinds

      • Cornetto

      • Dolzaina

      • Flute

      • Pífano

      • Recorder

    • Reeds

      • Acordeon

      • Bagpipes

      • Baroque Bassoon

      • Cornamusen

      • Curtal

      • Crumhorn

      • Dulcian

      • Fagot

      • Glastonbury Pipe

      • Rackett

      • Rauschpfeife

      • Shawm

      • Sordune

    • Brasswinds

      • Trumpet

  • Chordophones (stringed)

    • With keyboard

      • Cembalino

      • Clavichord

      • Harpsichord

      • Hurdy-Gurdy

      • Piano

      • Spinet

      • Symphony

    • Bowed

      • Bowed Psaltery

      • Cello

      • Double bass

      • Fiddle

      • Viol

      • Violin

    • Plucked and Hammered

      • Appalachian Dulcimer

      • Bouzouki

      • Cítara

      • Cittern

      • Guitar

      • Hammered Dulcimer

      • Harp

      • Lute

      • Lira

      • Mandolin

      • Plucked Psaltery

      • Ukelele

    • Struck

      • Hammered Dulcimer

  • Electrophones

    • Theremin

  • Idiophones

    • Limberjack

    • Sanza

  • Membranophones

    • Bodhran

    • Drum

    • Nackers

    • Tabor

    • Taboret

    • Timbrel

    • Timpany

     

  • Furniture

    • Regency Music Desk

  • Spares & Accesories

    • Cork

    • Finishing Kit

      • for all the Windcaps

    • Lids

      •  for Clavichord

    • Music Desk

      • for Cembalino

      • Regency Music Desk

    • Reeds

      • Cane

      • Plastic

    • Soundboard Painting Set

      • for Clavichord

      • for Harpsichord

    • Stands

      • for Cembalino

      • for Clavichord

      • for Harpsichord

    • Strings & Wire

      • Gut

      • Nylon

      • Metal

       

Products, alphabetically
(click on the dots to open the list)
 
  • A ...

    • Acordeón

    • Appalachian Dulcimer

    • Armonio

    • Arpa

    • Atabal

    • Atril

    • Autoarpa

  • B ...

    • Bagpipe

    • Bajo barroco

    • Bajón

    • Balalaica

    • Baroque Bassoon

    • Banjo

    • Bentside Spinet

    • Black Cornett

    • Bodhran

    • Bombarda

    • Bouzouki

    • Bowed Psaltery

  • C ...

    • Caja

    • Cembalino

    • Cello

    • Chalumeau

    • Chirimía

    • Cister

    • Cistro

    • Cítara

    • Cittern

    • Classical Guitar

    • Clarinet

    • Clarsach

    • Clave

    • Clavecín

    • Clavichord

    • Clavicordio

    • Concertina

    • Contrabajo

    • Cornamuse

    • Cornetto

    • Corno recto

    • Cromorno

    • Crumhorn

    • Curtal

  • D ...

    • Dolzaina

    • Double Bass

    • Drehleier

    • Drum

    • Dudelsack

    • Dulcema

    • Dulcémele

    • Dulcian

    • Dulcimer

    • Dulzaina

    • Dulzian

  • E ...

    • Espineta

  • F ...

    • Fagot

    • Felle

    • Fiddle

    • Fídula

    • Fiedel

    • Fife

    • Flauta

    • Flauta de Pan

    • Flöten

    • Flute

  • G ...

    • Gamba

    • Glastonbury Pipe

    • Guitarra

    • Gaita

    • Gerader Zink

  • H ...

    • Hammered Dulcimer

    • Harp

    • Harpsichord

    • Hog-nose Psaltery

    • Horn

    • Hoyboy

    • Hummelchen

    • Hurdy-Gurdy

  • I ...

  • J ...

  • K ...

    • Klarinett

    • Koncertina

    • Krummhorn

    • Krummer Zink

  • L ...

    • Lap Harp

    • Laúd

    • Limberjack

    • Lira

    • Lizard

    • Lute

    • Lysarden

    • Lyre

  • M ...

    • Mandolina

    • Mountain Zither

    • Musette

    • Music Desk

    • Mute Cornett

  • N ...

    • Nácara

    • Nackers

  • O ...

    • Oboe

    • Odre

    • Organistrum

    • Órgano

    • Orlo

    • Ottavina

  • P ...

    • Pandereta

    • Pandero

    • Panpipe

    • Piano

    • Pífano

    • Plucked Psaltery

    • Portative Organ

    • Psaltery

  • Q ...

  • R ...

    • Rackett

    • Ranqueta

    • Rauschpfeife

    • Rebec

    • Recorder

    • Renaissance Guitar

  • S ...

    • Salterios

    • Sanza

    • Schalmei

    • Serpent

    • Shawm

    • Sinfonía

    • Smallpipes

    • Sordón

    • Sordune

    • Spinet

    • Stands

    • Symphony

  • T ...

    • Tabor

    • Taboret

    • Tambor

    • Tamboril

    • Tambourine

    • Theremin

    • Timbal

    • Timbrel

    • Timpany

    • Trompeta

    • Trumpet

  • U ...

    • Ukelele

  • V ...

    • Vihuela

    • Viol

    • Viola

    • Viola da gamba

    • Viola de rueda

    • Violín

    • Violonchelo

  • W ...

    • White cornett

  • X ...

  • Y ...

  • Z ...

    • Zanfoña

    • Zink

    • Zither


Excerpts from several articles and customer opinions. First published Feb 2003


Make Your Own Instrument

If you need an instrument and you do not know how to buy it...

      Finished   Kit   Plan
  Quality.

The quality of an instrument is not only its sound.

Basically it is measured by the stability, the durability, the easiness to be fitted, played and repaired...

The design and the materials do the 95% of the quality of an instrument, included its sound. Only a very bad construction can avoid to reach the 100% quality.

  The RWC has the accumulated know-how and expertise of the best craftsmen during more than 100 years.

Our finished instruments are made after the best designs, with premium materials and in the best conditions.

We pride ourselves in the quality of our work. Our craftsmen work in our own workshops to produce the parts for all our instruments, each instrument being carefully hand built to the highest standards.

  The RWC kits are designed so that anyone can get a professional instrument.

The materials are chosen because of their tonal and durability qualities and are considered the best for their function.

The designs are all of them based in existing instruments considered the best in the world.

We supply in our kits the same top quality parts used in the finished instruments.

  You can choose the quality of the materials and even do some modifications on the design.

If you choose a plan is probably because you are confident in your skills and the quality of the instrument will be accordingly to them.

 

  Comparing several instruments   In a shop you can compare the sound of several instruments. It is difficult to know the exact used  materials and the construction techniques, which have a big influence in the future behaviour.

If you order the instrument to a maker you have to trust in his experience and renown.

  You can compare the quality of the design and materials, but not the final sound of the instrument.

You can test one instrument made from the same kit by another builder, but it will not be exactly the same.

  You can compare the design, dimensions and construction techniques.

This is more than 60% of the quality of the instrument. The lasting percentage is divided into 35% for the materials and 5% for the construction.

  Time   You can enjoy your instrument just after buying it.   Even though the kit can be very easy to assemble, you will need time to finish and tune it.

Respect to buying the plan, buying a kit you save the time to select the materials and to make the parts.

  You will need enough time to collect all the materials and tools, to make all the parts, to assemble them, to finish and to tune the instrument.

Some common materials are only useful for musical purposes if appropriately treated. It is the case of the wood for the soundboxes that usually is quarter sawn and naturally seasoned for five to twenty years.

  Room   You will only need the space to store and play the instrument.   All the RWC kits can be assembled at home. Only for the biggest keyboards a small workshop, garage or empty room can be necessary.   In addition to the space needed to assemble the instrument, you will need some room to make the parts. This tasks are quite more 'dirty' and a workshop is necessary.
  Apprenticeship
To know an instrument is not only to know how to play it with musicianship and virtuosity.

Old musicians built and fixed their instruments. They also experimented modifications in the instruments in order to get other or better sounds.

  You will not learn about the construction of the instrument.   You will learn everything about the construction of an instrument.

You will also learn how the parts are made, but you will have not a big practice of making them.

Making an instrument will give you such a familiarity with its  operation that you will be able to fix, repair and even modify it.

  After finishing your instrument you will know everything about selecting materials, making the parts and assembling an instrument.

You will also be able to fix and repair it.

  Price
The cost to have a ready-to-play instrument has to include the cost to get it and, in long term, the cost of its maintenance.

In occidental countries, the price can be approximately 40% due to the materials and 60% to the labour.

In countries like China, India, etc, up to the 90% of the price can be due to the materials and only 10% to the labour.

  It is difficult to valuate which of the three forms are cheaper. Obviously if you buy the plan, the first outlay will be smaller, but finally you will need to buy all the materials and tools, and some of them are not easy to find.

Maybe you will have to wander to many shops and it will cost you the transport. Or you will have to order some pieces abroad and the shipping costs will increase dramatically the final cost.

You also have to consider your time. Getting the materials and tools can take quite long and be frustrating if you do not know who can provide you with them.

  Conclusion   Our finished instruments are all of them of the best top professional quality.

You will not be able to find anywhere the same quality at that price!

If, for whatever reason, you are not satisfied with your purchase you may return it for a full refund [more]

  You can have the same professional instrument at a fraction of the price with our kits.

The kits contain the same top quality parts and show you how to build the instrument, letting you into the secrets of the craftsmen who make the instruments.

Each kit is supplied with a detailed working drawing and comprehensive instruction manual to take you a step at a time through each stage of the construction process and allow you to work at your own pace.

  We only recommend to buy the plan if you have a quite well assortment of tools, easy access to the materials and enough time to dedicate to the instrument.

More information:

Renaissance Workshop Company Ltd.
DireccionSpain
Tel: TelefonoSpain
Fax: FaxSpain
Email: Email



Copyright © 2004 Renaissance Workshop Company Ltd.
 
Phone & Fax:TelefonoSpain